Trasional art puppet

Many people think that the art of puppets from Indian Affairs. And according to R. Gunawan Djajakusumah in his book Introduction to Wayang Golek Purwa in West Java, it's not true. According to him, the puppet is the real culture of Indonesia (especially in Java).

The words come from Wad puppet of Hyang, meaning ¿¿ancestor, but others argue that the word ¿¿shadows. As for who argued that the puppet is from Indian country may be seen from the origin story is taken from the Ramayana story and Mahabrata (derived from the Hindu Scriptures). But then the stories were modified and adapted to the culture engineered in Java.

In West Java, wayang art called Wayang Golek ¿¿. That is, run the puppet art using puppets made of wood, almost like the face and body of human figure puppet picture. There are four kinds of figure on the puppet show, namely; figure Ravana (makuta wearing goleknya sekar kluwih model and era carvings resemble carved Pajajaran and Mataram kingdom with the descendants; Suyudana and Dushasana); figure of Arjuna (a true warrior figure illustrates a handsome and brave wearing clothes chopsticks ¿¿urang contemporaries such as Bhima and Ghatotkacha); figure Mungkur Garuda (eagle cooked up front with his tongue out); figure Bineka Sari (such as arranged to spruce up as the puppet of Krishna, Balarama, Arimbi, Rama and Indra, figure Kuluk, accessories clothes or wear the eagle image as found on sumping Batara puppet master, and Kumbangkarna Karna. Figures puppet show was made there that use a standard (ugaran) and berdasarekan own artistic talents (based on individual tastes.) puppet maker for This is in the Bogor (selacau Batujajar ¿) and ¿Cibiru Bandung.

Arts sections of puppet show: Dalang (puppet plays based on the story doll ¿); goleknya itself (hundreds); nayaga ¿groups or people who play gamelan, drums, goong, fiddle (string instrument musk) and interpreter kawih and interpreters Alok). All of these parts into a unity that can not be separated. Other Satudengan rhythm and synergy ceritannya road.

Puppet show is usually done at the time of the marriage feast and celebration both circumcision, Agustusan or because certain things (usually this is called Ruwatan). Timing could be all night or just a few JAMA course. The contents of the story is that the principle strain (taken as a whole based on the Ramayana story and Mahabrata) and some use the principle of breakaway (take certain parts which usually attract audiences such as war, humor and dialogue).

Pertujukan puppet who uses the principle of strain through the night time while the splinter is usually only one to two hours. Especially if the show through television media is very limited jamtayangnya probably only 45 minutes. In conditions of high activity and demand socialnya fast-paced times, it shows a brief but solid story interesting and humorous dialogue will be very attractive compared to the plots using the principle of strain ¿with long until dawn. For people from the older generation groups and fanatic strain terhadapprinsip puppet he would favor the way the original story, although she heard and seen over and over again. But, for the younger generation hungry for instant entertainment department, then the splinter stories are most preferred.

How many people are also at the same puppet doll wayangnya number? The answer, that according to R. Gunawan Djajakusumah puppet figures are 623 and not all terpangpang in one show.

According to our observations (Editor) in a show usually presents between 20 and 30 dolls and puppets that often appear most figure-friendly figure in the community such as; arjuna, five Pandava khsusnya ¿¿siCepot, Gatotkaca, bima, Ravana, members of the Kauravas army.
Number mastermind who recorded until the year 2002 was estimated to amount does not exceed one-hundred and mainstream society is like; Asep Sunarya, Ade Sunarya, Dede Amung. These puppeteers have the technical kamampuan high puppet plays, can recite the story goes, stroke of humor interesting and communicative with the audience.

Happy Dance Party North Sumatra

Treasury of traditional dances include various types. Something magical, in the form of sacred dance, and there is entertainment in the form of dance profane. In addition to traditional dance that is part of traditional ceremonies, sacred dance is usually danced by dayu-Datu. Including this type of dance is a dance teacher and dance tungkat. Datu dance waving magic wand called Single Panaluan.

Dance profane social dance is usually young people who danced at the party happy. Tortor anyone danced at the wedding. Usually danced by the attendees including the bride and also the young people. Dance tortor also commonly used for funeral rites, but usually also used for events is usually the party who also likes stuffed the money in hand when we manortor, mostly young children who follow this dance at a party. Youth dance, for example morah-morah, parakut, sipajok, patam-patam often and kebangkiung. Dance magic dance tortor nasiaran example, single panaluan tortor. This magical dance is usually performed with kekhusukan.

Tari Saman Traditional Dance Aceh

Saman Dance is one of the regional dances of Aceh's most famous moment. This dance comes from the Gayo highlands. Saman verses use the Arabic language and Aceh. In the past, Saman dance is usually presented to celebrate the event - an important event in the customs and the people of Aceh. Besides this dance usually also displayed to celebrate the birth of the Prophet Muhammad. In fact the name of "Saman" derived from one of great scholars of Aceh, Syech Saman.

Saman dance is usually displayed using the accompaniment of musical instruments, a drum and use the sound of the dancers and their applause is usually combined with hitting the chest and groin them as synchronization and threw the body into various directions. This dance is guided by a leader who is usually called Syech. Because of the uniformity and timeliness of information is a necessity in this dance show, the dancers are required to have a high concentration of serious training in order to perform perfectly. This dance is performed in groups, singing with kneeling and sitting positions berbanjar / bersaf without using the accompaniment of musical instruments.

Because the dynamics of its motion, this dance many dibawak / danced by men, but now the development of this dance is danced by many female dancers as well as a mixture of male dancers and female dancers. This dance is danced about 10 people, with details of 8 dancers and 2 people as the signal while singing

Plate Dance Original Dance Minangkabau Society

The dance is a dance plate owned by the Minangkabau people from West Sumatra. The dance depicts a sense of joy and gratitude Minangkabau society when the harvest has come, where the young couple swinging motion step by showing their skill in playing the plates in their hands.

This dance is accompanied by a song that is played with Talempong and Saluang, whose movements are done quickly while holding the plate in the palm of their hands. Sometimes these plates they throw them into the air or menghempaskannya to the ground and trampled by the dancers are barefoot.

Art of dance this dish done in pairs or in groups with a variety of movements that is fast, dynamic and sound interspersed berdentik plate carried by the dancers. At first the history of this dance has a purpose dishes in the Minangkabau people worship Goddess of Rice and respect for the crop. But in today's dance is more often performed at the wedding.

Plate Dance has become very popular even in neighboring countries like Malaysia are also often performed this dance. dance abroad dish known and loved for this dance has an energetic movement, vibrant, attractive, dynamic, and the movement of the dance is not monotone, so the main attraction for the spectators Plate Dance.

Jaipong Dances From West Java

Jaipongan is the art of dance that was born from the creativity of an artist from Bandung, gugum Gumbira. He inspired the folk art one of them is making Tap Tilu really know and recognize patterns perbendaharan dance tradition that is at or Kliningan Tilu Bajidoran or Tap. So that he can develop a dance or art that is now known by the name Jaipongan.

Jaipongan work first began to be known by the public is dance "Leaf Bojong Keser plus" and "Rendeng Bojong" both of which type of dance and dance partner's daughter (sons and daughters). Initial appearance of the original dance movement is considered as the erotic and vulgar, but the longer this dance more popular and began to increase both the frequency pertunjukkannya in the medium of television, celebration, and celebrations that disenggelarakan by the government or by private parties.

From this starting Jaipong dance was born a few dancers that are reliable Jaipongan like Tati Saleh, Yeti Mamat, Eli Somali, and Pepen Dedi Kirniadi. The presence of dance Jaipongan contributed considerable to the art of dance lovers for more active types of folk dances explore previously lacking in attention. With the emergence of this Jaipongan dance that many are making dance courses Jaipongan, and frequently used by businessmen to enticing guests.

In Subang Jaipongan style "Kaleran" has a characteristic that is fun, erotic, humorous, spirit, spontaneity, and simplicity. This pattern was reflected in the presentation of dance on the show, there is a given pattern (Pattern Ibing) as in art Jaipongan in Bandung, as well as others who do not dance dipola (Ibing Saka), for example in art Jaipongan Subang and Karawang. This term can we meet the Jaipongan kaleran style, especially in the Subang area.

Dance Jaipongan today could be called as one of the West Javanese dance, look at the important events coming of guests from foreign countries who came to West Java, was always greeted with a performance at Jaipongan dance. Dance Jaipongan influence on many other art-art in West Java, both on the art of wayang performances, gamelan, and other genjring even with dikolaborasikan by Mr Modern Dangdut. Nur and Leni to become art Pong-Dut.